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January 26th, 2012Corporate Fascism!, Good people, politics, writingNumbers become more abstract the bigger they get, and we are a country awash in big numbers. Exorbitant sums are mentioned so often in our culture– Tyler Perry made $130 million in 2010, and maybe owns an island!– that at a certain point conceptualizing the reality of that kind of money becomes as difficult as actually owning an island. So when Mitt Romney released his tax return, and the country learned that he pulled in $21.6 million last year, the number initially seemed like just another absurdly ambiguous sum, the kind of money that makes someone really, really rich (and we already knew he was rich). That number and the way in which it was earned and taxed floated like a huge, context-less bubble above the heads of those of us without a firm background in economics. Even when we see or hear the amount of money Romney makes every year on “unearned” income (never was a financial term more loaded), it’s difficult to make it concrete.
Which is why the widget my husband, Dan Check (let’s just get that out there right now– I am in no way a disinterested observer), created yesterday is so brilliant. He built a fairly simple, interactive tool for calculating how long it takes Mitt Romney to make as much as a user earns in a year. In an ideal world, our work is valuable and valued. In reality, most people are fortunate to hold employment that is even one of those things, and only the very lucky can claim both. Still, key to our American Dream is this conviction that the hard work we do is important and/or getting us somewhere financially, which is why the widget is so jolting. The average American may not be able to understand the reality of a $21.6 million income, but they know exactly what went into the money they made, and what that money afforded and denied them. To see months of labor– often hard, unappreciated, stressful and difficult– equal a small, cold number (4 hours, 51 minutes…21 hours, 2 minutes) in the scope of Mitt’s immense wealth is depressing and infuriating in equal measure.
In the time it takes me to get my son to his pre-school, have a cup of coffee, try to write something, and return to pick him up at noon, Mitt Romney has made my yearly income. But I don’t ‘work’ full-time, so perhaps it’s not a fair comparison (I’m not going to get into the exhausting labor involved in child-rearing, as I don’t want to awaken the ‘take it to Babble’ trolls). Let’s compare, instead, the most rewarding , difficult and stressful job I’ve ever had. When I was teaching special needs students (English and Language Arts for dyslexic and LD kids, grade 5-12), designing a curriculum from scratch, talking to parents every day, working late to create lesson plans, grading essays, advising teenagers, directing school plays, making yearbooks, chairing the humanities committee, presenting at conferences, writing constant reports, and breaking down at least once a month from the emotional toll of feeling personally responsible for giving children the quality education they deserved, my yearly salary, at its highest (after 5 years), pre-tax, was a few hours’ shy of Romney’s day rate.
I’ve read the comments on Slate about how hard Romney worked for his fortune, how all comparison smacks of class warfare, how the left simply wants to criminalize the prosperous. This is not the issue. I do not like the way that Romney made his fortune (dismantling businesses for profits), but I do not doubt that he is industrious and hard-working. The question is whether his work– and the work/lineage of others in the hyper-wealthy class– is so valuable that it warrants not only an outsized yearly income but an undersized tax rate.
This is the point that the Obama administration has been trying to make for months– the talking points for extending the payroll tax, for instance, centered on the entirely reasonable notion that if you make more than million dollars a year, you could pay more in taxes than someone making $24,000– and which he hammered home in last night’s State of the Union. Unfortunately, just talking about these huge sums is often too abstract, and too often feeds into that wonderful/terrible aspirational quality in Americans, the part that says, ‘I wouldn’t want to be taxed that way, and though I don’t make anywhere near that amount now, I no doubt will in the future.’ But approaching that little widget armed with your annual income– the number that, justly or unjustly, is the sum of your year’s labor– and seeing how paltry and inconsequential it is in the face of Romney’s wealth? The widget trumps talking points, rhetoric and rationalization to show the reality of $21.6 million dollars in all its stark obscenity.
Tags: Dan Check, Income Inequality, Obama, Romney, Slate -
September 7th, 2011UncategorizedA question: if a lady’s lover reports directly to Goebbels, she holes up with him at a Nazi-controlled hotel during her city’s occupation, and her collaboration earns her a 9-year post-war exile in Switzerland, can you claim that she was not anti-Semitic? If you’re the House of Chanel, and the lady in question is doyenne Gabrielle “Coco” Chanel, then the answer is yes, because you have an airtight rebuttal! She couldn’t have been anti-Semitic, because she had Jewish friends.
Such was the peevish response from France’s premier fashion house upon a new book’s allegations that Coco Chanel, in addition to having a taste for fascist boyfriends, was herself a Nazi spy. According to Sleeping With the Enemy: Coco Chanel’s Secret War, Chanel spent the duration of the war spying for the Germans under the codename Westminster (named for another lover, the Duke of Westminster, a virulent Anti-Semite with a dog he called “Jew”). Though author Hal Vaughan says he based his book’s claims on “not one, but 20, 30, 40 absolutely solid archival materials on Chanel and her lover, Baron Hans Gunther von Dincklage, who was a professional Abwehr spy,” what is historical research in the face of the always-solid ‘but some of my best friends are…’ defense?
After all, if Coco Chanel was Anti-Semitic, would she have entered into a Chanel No. 5 partnership with the Jewish businessmen Pierre and Paul Wertheimer? Would she have then, using the Nazi laws seizing all Jewish property, petitioned to lighten her partners’ burden by taking sole ownership of the company, as it was “still the property of Jews?” Luckily (perhaps they knew how much their good friend Coco would worry?), the Wertheimers preempted Chanel’s friendly takeover by transferring ownership to a Christian colleague before the laws came into effect. That’s just what friends do when their friends are Nazis.
Tags: fashion, history, nazis -
July 12th, 2011UncategorizedOh hello, long-neglected blog! Why aren’t you a tumblr by now? Perhaps if you weren’t so outmoded I would update you more often! I’m sorry, that’s just the half-caf talking. Here is a link to a little grade report satire I did for Splitsider, which is a very fine site about very funny things that nonetheless gets very few comments. This piece got exactly one comment, from someone I already know in real life (thanks, Beth!). But I like it, and I hope you do too! http://splitsider.com/2011/06/grade-reports-by-jessica-roake#more
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April 21st, 2011UncategorizedFor whatever reason (The inexplicably low Tatler subscription rate in the U.S.? The possibility that one has not read any periodicals or internet pr-blasts in the last 6 months? A bizarre disinterest in the nuptials of impossibly wealthy strangers?), there are still colonists who simply have no idea how to celebrate THE MOST IMPORTANT WEDDING OF ALL TIME properly. For you rubes, I offer you these tips:
- Acquire Champagne. I prefer Veuve Clicquot La Grande Dame, obviously, but a box (or five) of Franzia + sparkling water will do in a pinch. If you balk at the blinding hangover you’ll need to endure, I ask you to bear up and think of England.
- Wear a hat. Did you not know that British ladies always wear hats to weddings? Oh dear. Well I suppose it is difficult to learn proper etiquette here in the colonies; I mustn’t judge. Either wear a Phillip Tracy original if you’re going for ‘fashion friend’ (still probably a Countess of something or other), or queen-mumsy with silks and chiffon and flowers. If absolutely necessary, your fanciest beret, riding cap, or Halloween ‘pimp’ hat will do. Under NO circumstances should you wear a New England Patriots or Notre Dame Fighting Irish baseball hat. This is no time to get political; it is THEIR DAY.
- Adopt an English accent, and NEVER let it drop. Take a few days to study Gosford Park, Brideshead Revisited (the miniseries, not the film, clearly), Bleak House, Downton Abbey, Pride and Prejudice (Colin Firth miniseries only), The Young Victoria, Upstairs Downstairs, The Queen, and every single English Masterpiece Theater classic. You must watch each and every one, NO EXCEPTIONS. Your employer will surely understand (Obviously, you’ve already read the British canon, as you are not a functional illiterate). Once you’ve worked on your accent (try practicing in bars, or parent-teacher conferences!) do not worry about verisimilitude; this is a celebration! If the urge strikes you to say, “Verily, I must attend to affairs in the loo, guv’nah”, then by all means, indulge.
- Place your bets! Some sample wagers: Kate’s dress: meringue or sleek? The queen’s expression: pleased, serene or impassive? (There is no overjoyed, don’t be vulgar.)
- Be extremely judgmental, and assume intimate knowledge of all participants. Practice your slight grimaces, smirks and eye rolls in the mirror in advance of the big day, when you will be called upon to make passive-aggressive comments on the unseemliness of Princess Beatrice’s hemline, the gaucheness of that prison-colonist Rupert Murdoch, the necessity of occasionally adding some good peasant stock to the royal bloodline, etc. When in doubt, just think haughty Maggie Smith and go with it. CHEERS!
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April 21st, 2011UncategorizedI wrote this for Feministing about the perfect trifecta of racism, sexism and paternalism at play for DC in the national budget compromise.
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March 30th, 2011UncategorizedI wrote a little remembrance of my first political fight for Slate’s XX Factor blog; enjoy!
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January 27th, 2011UncategorizedIn The Vintage Book of American Women Writers, Elaine Showalter celebrates the often unsung heroines of American literature in a groundbreaking and revelatory anthology. I got to speak with the celebrated (and super-friendly) feminist scholar about the challenges woman writers face, the Great American (male) Novel, and the odious ‘chick-lit’ label for The Express, and then I got to publish the unedited awesomeness on my blog! Huzzah!(portions of this interview are available here)*Are there any writers in the anthology you like to highlight at your readings?I want to read the short piece by Ursula Le Guin, “She Unnames Them” and I thought I’d read some of the other parables or allegories. This is a genre that women specialize in, especially American women, these short ironic or prophetic pieces about gender. “She Unnames Them” is a great story that came at a wonderful time; it summed up so much thinking about the women’s movement. Edith Wharton also wrote one a century earlier– they’re both terrific but also of their time. American women invented the genre in a way; it reflected the way women thought about society.*How did the book come to be?
A look at American women writers hasn’t been done before, which is really shocking. This is the 21st century and it hasn’t been done! My goal was to find things that were really fun to read and really memorable.
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Did you face any limitations in the writers you featured?
I couldn’t include novelists, which leaves out an enormous range of writers. Toni Morrison has only ever published one short story and it’s constantly anthologized. There are so many extraordinary women novelists, but I thought, people will just need to buy more of their books, that’s a good thing! I didn’t have to leave out anyone because they objected to being in a woman’s anthology. 30 years ago, some writers would object– I’m not a ‘woman’ writer, I’m a writer!’ Being a woman writer was not respected. To me, if you’re a woman, and you’re a writer, you’re a woman writer!
There are other considerations, like how expensive pieces are. The 1st book I ever published, Women’s Liberation and Literature– the title really gives it away!– was at the beginning of the Women’s Movement, 1971, and it was a very radical idea to a lot of people. I wrote to Sylvia Plath’s sister-in-law and asked to reprint a couple of poems, and she wrote back and said I could have this poem for $100 or 2 poems for $50 each. It was a real shock to me as this young scholar; it never occurred to me to think of poems like that! Of course, writing operates on a market, and I adjusted to that. All the writers I feature in this book operated in a market. You can’t be a writer just scribbling alone.
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What kinds of challenges do contemporary female writers face?
The assumption that there shouldn’t be a problem, that the playing field is level and that there’s nothing about women’s writing that requires a special focus. That’s not at all true. For instance, there are real problems with reviewing. When some young women critiqued the reception of Freedom, there was this tidal wave of reviewers declaring it to be the Great American Novel before they even read it. People do not look at women writers to capture The American Experience, because it’s defined as a male experience.
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When women write about experience, it’s described as a domestic drama, or ‘chick-lit’...
What a terrible term, chick-lit! I’m keen on women becoming more assertive– you don’t see women writers talking about their theories, their writing processes. They’re too self-effacing and they get overlooked. When writers like Salinger die, there are always these lists of Great American Novelists, and there’s maybe one women included. But there are women writers who are producing astonishing fiction right now! We still struggle with this idea of The Great American Novel, the GAN, like it’s the GNP. If a woman says anything she’s dismissed, ‘you’re so old-fashioned, stop complaining!’ On the other hand, women can write about anything they want to now. They don’t have the cultural censorship, where they’re not allowed to even write certain words. It’s really about the attention they get, so I hope this book will begin to remedy that. If you ask people, who are some great women writers from the 20’s, they don’t know. You can’t remedy that if the women writers are not available to be read! You have to be able to see the writing coherently in a historic way.*You can buy the amazing Vintage Book of American Women Writers at your local awesome bookstore, or here
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December 6th, 2010Uncategorized, music, writingA lil’ piece I wrote for The Express was run through Google Translator and posted on this here website, and I think it really deepens my writing. This is my favorite line: “Conduct of riffs, a singer-showman noisy and lyrics about “book Queens” and “golf course, golf, golf, golf” If only I could write like that.
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